#365GRATEFULPLAYWRIGHT: A YEAR OF WHAT MAKES IT ALL WORTHWHILE DECEMBER/PART ONE

November 30th, 2015 donnahoke

Gratitude journals and their more public cousins—gratitude Facebook posts—have become mindful ways to connect with what is good in our lives. I’ve never done one, but it occurred to me a while back that doing a 365 Grateful for playwriting might illuminate a year’s worth of reasons why we’re so loyal to this sometimes discouraging pursuit. In 2014, there were many times I became aware of people, situations, events that only touched me because I wrote that first play and kept on writing–a phone call from a producer who wanted to share the tearful reactions my play evoked that evening, being part of the Buffalo theater community, meeting some super cool people during a production in a small town in the Catskills, the Dramatists Guild regional reps meeting, having actors in Ghana speak my words– as well as all the people, places, and things that just make it easier to keep on. Productions are wonderful, but being a playwright has generated so many rewards beyond just those, so, this year, now that Real Inspiration for Playwrights Project is finished, recording them all is my project for 2015. I’ll tweet once each day under #365gratefulplaywright (follow me @donnahoke) and also post to my Donna Hoke, Playwright page on Facebook, then post the updated blog every two weeks so that nobody is overwhelmed. (I’ll also start a new blog post every two weeks, so that this file doesn’t become impossible!) If you’re a playwright, think about what might go on your own list; it’s humbling to see how lucky we really are.

And so, continuing on with December/Part One, AS A PLAYWRIGHT, grateful

 

December 1: The way you can be having a horrible day and a random email script request can make it better. (And it’s December already!!)

 

December 2: The news in the blog post I’m going to drop tomorrow. Yes, I’m being cryptic. Yes, I want you to stay tuned. This is good for everyone.

 

December 3: Theatre Out and David Carnavale. I was reminded yesterday that Theatre Out produced my very first out-of-town play, a ten-minute called “Write This Way.” I remember how excited I was to get that email, validation that something I was doing was right. It even won the Producers’ Award, and I haven’t looked back since.

 

December 4: Patient people of all kinds: it has been a rough couple weeks.

 

December 5: Sitting in a theater in my hometown and not recognizing a single person in a sold out house. Theater is not dead!

December 6: Every theater company who has this year switched to electronic submissions. Thank you!

 

December 7: Press tickets. Just being honest.

 

December 8: When old shows seem new. I expected tonight’s ANNIE to be same old, same old, but new staging, choreography, song segments, and humor made it feel fresh.

 

December 9: A 3:26 direct flight to Fort Lauderdale tomorrow. There’s no way I’m going to oversleep for that one!

 

December 10: A perfect, on-time flight that allowed me to get to Fort Lauderdale in plenty of time to see Michael McKeever’s DANIEL’S HUSBAND–and the playwright!

mckeever (2)

Enthusiastic audience members charged the playwright after the show.

 

December 11: Ann Filmer, the perfect roommate; she sleeps through anything just like I do!

 

December 12: The opportunity to see the wonderful TWO WEEKENDS AND A DAY, by another playwright friend, Susi Westfall. How often do the stars align that we can catch each other’s work like this?

 

December 13: The entire National New Play Network Showcase event (and NNPN itself!)—seeing readings of six new plays, meeting a ton of great theater folks, sharing insights, being in Miami, experiencing the graciousness of our host (New Theatre) and its staff… I could go on and on. Thank you to Nan Barnett and the NNPN staff for a wonderful weekend; I can’t wait for the next one!

 

December 14: William Missouri Downs, the generous friend and playwright who drove me (and two others) to the airport this morning at 5:15 a.m. on his way to the Fort Lauderdale airport—just because he’s that kind of guy. And Andrew from Atlanta, who appeared after my flight karma ran out. I made it from Miami to LaGuardia, but fog had grounded everything and, after much delay, my flight to Buffalo was canceled. Andrew from Atlanta was behind me in line, said he was renting a car, and offered me a lift. I got home at 9:30 instead of who-knows-when thanks to this impulsive and generous stranger.

 

December 15: All the travel that playwriting has afforded me this year. I’ve been to New York (three times), Miami (twice), La Jolla, Richmond, Denver, Phoenix, and Chicago. If can consider those trips (and all the great people I met as a result of them) part of my year’s income, I didn’t do too badly!

 

December 16: Playwrights who watch SURVIVOR! There are more than you think! (And I just have to say… TWO more weeks and this thing is done!)

Survivor Cambodia

Please follow me on Twitter @donnahoke or like me on Facebook at Donna Hoke, Playwright.

To read more entries in this series, click here or #365GratefulPlaywright in the category listing at upper right.

Written by donnahoke

donnahoke

Dramatists Guild Council member and ensemble playwright-in-residence at Road Less Traveled Productions, Kilroys List and award-winning playwright Donna Hoke’s work has been seen in 40 states, and on five continents. Her full-length plays include THE COUPLE NEXT DOOR (Princess Grace semi-finalist, currently in its third year in rep in Romania), SEEDS (Artie award winner for Outstanding New Play), FLOWERS IN THE DESERT (AACT top 20 finalist), SAFE (winner of the Todd McNerney National Playwriting Contest, Naatak National Playwriting Contest, and the 2015 Great Gay Play and Musical Contest), and BRILLIANT WORKS OF ART (2016 Kilroys List, Winner HRC Showcase, Firehouse Festival of New American Plays, top ten Woodward/Newman finalist); she’s also authored more than two dozen short plays that have had hundreds of productions. Donna is also a New York Times-published crossword puzzle constructor; author of Neko and the Twiggets, a children’s book; and founder/co-curator of BUA Takes 10: GLBT Short Stories. For three consecutive years, she was named Buffalo’s Best Writer by Artvoice, the only woman to ever receive the designation.

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