Gratitude journals and their more public cousins—gratitude Facebook posts—have become mindful ways to connect with what is good in our lives. I’ve never done one, but it occurred to me a while back that doing a 365 Grateful for playwriting might illuminate a year’s worth of reasons why we’re so loyal to this sometimes discouraging pursuit. In 2014, there were many times I became aware of people, situations, events that only touched me because I wrote that first play and kept on writing–a phone call from a producer who wanted to share the tearful reactions my play evoked that evening, being part of the Buffalo theater community, meeting some super cool people during a production in a small town in the Catskills, the Dramatists Guild regional reps meeting, having actors in Ghana speak my words– as well as all the people, places, and things that just make it easier to keep on. Productions are wonderful, but being a playwright has generated so many rewards beyond just those, so, this year, now that Real Inspiration for Playwrights Project is finished, recording them all is my project for 2015. I’ll tweet once each day under #365gratefulplaywright (follow me @donnahoke) and also post to my Donna Hoke, Playwright page on Facebook, then post the updated blog every two weeks so that nobody is overwhelmed. (I’ll also start a new blog post every two weeks, so that this file doesn’t become impossible!) If you’re a playwright, think about what might go on your own list; it’s humbling to see how lucky we really are.
September 1: Submission day! I’m exhausted from spending today’s early hours getting all the big ones out. There was a waiver code that didn’t work, and docs that needed to be PDFs and vice versa, and a page that wouldn’t load, and a form that kept saying my file was too big, and a PDF that wouldn’t fill, and an opp that never asked for the fee, and one I sent with a big typo and maybe the wrong version of the play… and several emails to administrators trying to resolve these issues, but I feel accomplished and braced for possibility!
September 3: Lawrence Harbison, who chose THE PEE TEST to be part of the Smith & Kraus Best Short Plays of 2016 anthology (and who previously chose BLACK AND WHITE for 2013). This quirky little play is great for college students, so I hope this makes it easy for them to find it. (The original production below featured Sabrina Kahwaty and Jonathan Young.)
September 4: FedEx Online Printing and coupons for same. Don’t know what I’d do without it when it comes to those stupid, antiquated hard copy submissions.
September 5: Theaters that accept unagented submissions—and actually read them.
September 6: Reminders that ALL artists have disappointments and bouts of insecurity, as well as the perseverance and belief to continue. We all understand and we’ll all in it together.
September 7: Accidentally finding payment for a production in my PayPal account. Yay being paid and #playwrightrespect!
September 8: Working on so many plays at once: edits for the Luxembourg production of FLOWERS IN THE DESERT, lyrics for THE COUPLE NEXT DOOR musical, arranging workshops for the upcoming productions of SAFE, and prepping for two out-of-town readings of BRILLIANT WORKS OF ART. Plus it’s the September binge so the new plays are going out!
September 9: Victoria Perez (far left), friend and fabulous performer, whose theater company, Raices, co-opened an amazing production of IN THE HEIGHTS with MusicalFare tonight. She’s a fabulous talent and, not to in any way diminish the contributions of MusicalFare and the stellar cast, but this very much felt like her night in so many ways. So grateful to have her talent in Buffalo.
September 10: Seat belts and air bags.
September 11: The grand opening of the new Road Less Traveled Theater with the world premiere of Bella Poynton’s SPEED OF LIGHT!
September 12: Ward Kay, of Adirondack Plays, who graciously accepted suggestions from playwrights and the Dramatists Guild and amended his publication contracts. #playwrightrespect
September 14: A lovely happy hour at SoHo Burger Bar’s upstairs patio courtesy of the exceptionally gracious author and playwright Laura Pedersen, whose play FOR HEAVEN’S SAKE! opens at 710 Main Thursday.
September 15: Writing lyrics. Back to my days as a Color War General at summer camp, I’ve always enjoyed matching words to music, but in converting THE COUPLE NEXT DOOR to a musical, I’m discovering and loving the added layer of using the songs to enhance both story and character. And I’m also loving how musicalizing is making this a different story in some ways. This is why playwriting never gets boring!
To read more entries in this series, click here or #365GratefulPlaywright in the category listing at upper right.