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#PLONY PROFILE #4: MICHAEL MCKEEVER, DAVIE, FLORIDA

  What is a #PLONY? Find out here, and also read an explanation as to why I’m writing a series of #PLONY Profiles.   In June, at the CityWrights Conference in Miami, Dramatists Guild Western Florida Regional Representative Dewey Davis-Thompson left briefly to attend the world premiere of Michael McKeever’s DANIEL’S HUSBAND at Island City Stage […]

#PLONY PROFILE #3: LAUREN GUNDERSON, SAN FRANCISCO, CALIFORNIA

  What is a #PLONY? Find out here, and also read an explanation as to why I’m writing a series of #PLONY Profiles.   While a New York playwright is a New York playwright, there are many stripes of #PLONY. Lauren Gunderson lives in San Francisco, a thriving theater arena and new play incubator to be […]

#PLONY PROFILE #2: WILLIAM MISSOURI DOWNS, MIDDLE-OF-NOWHERE, WYOMING

   What is a #PLONY? Find out here, and also read an explanation as to why I’m writing a series of #PLONY Profiles.   Here are my two encounters with William Missouri Downs prior to doing this interview: 1) Naked Playwriting, his book, was the first I ever picked up on the craft. 2) When I […]

FINAL RIPP POST #52: SEAN DANIELS, ARTISTIC DIRECTOR MERRIMACK REPERTORY THEATRE (FORMERLY ARTIST-AT-LARGE, GEVA THEATRE CENTER)

  As always, if you don’t know what RIPP: Real Inspiration for Playwrights Project is about, please click here (the original idea) and here (the evolution of that idea) to get some context before reading).   Before we begin, let’s congratulate Sean Daniels on his new appointment as Artistic Director of Merrimack Repertory Theatre!   And now, as […]

RIPP #51: CYNDY MARION, PRODUCING ARTISTIC DIRECTOR, WHITE HORSE THEATER

   As always, if you don’t know what RIPP: Real Inspiration for Playwrights Project is about, please click here (the original idea) and here (the evolution of that idea) to get some context before reading).   From CYNDY MARION, PRODUCING ARTISTIC DIRECTOR, WHITE HORSE THEATER   “White Horse Theater Company is a very small not-for-profit off-off Broadway theater company […]

RIPP #50: REDUCING THE CLUTTER: A COMPILATION POST

    As I wind down the RIPP series in preparation for something different in the new year, I’m gathering together some of the shorter bits I have. Though shorter, I hope they are no less inspirational. In this group, the advice is all about how to, as one playwright friend says, reduce the clutter, […]

RIPP #49: FROM ROBYN FLATT, EXECUTIVE ARTISTIC DIRECTOR, DALLAS CHILDREN’S THEATER

    As always, if you don’t know what RIPP: Real Inspiration for Playwrights Project is about, please click here (the original idea) and here (the evolution of that idea) to get some context before reading).   FROM ROBYN FLATT, EXECUTIVE ARTISTIC DIRECTOR, DALLAS CHILDREN’S THEATER   “It is a tough world out there for playwrights now that boards […]

RIPP #48: ABIGAIL ROSE SOLOMON, FOUNDER, ROSALIND PRODUCTIONS

    As promised, another installment of RIPP. And, as always, if you don’t know what RIPP: Real Inspiration for Playwrights Project is about, please click here (the original idea) and here (the evolution of that idea) to get some context before reading.   FROM ABIGAIL ROSE SOLOMON, FOUNDER, ROSALIND PRODUCTIONS   “I’m sort of a one-woman show; I […]

RIPP #47: KYLE BASS, RESIDENT DRAMATURG, SYRACUSE STAGE AND AN IMPORTANT MESSAGE ABOUT THE FUTURE OF RIPP

  Well… it’s been a long time since I’ve written a RIPP post. (If you don’t know what RIPP: Real Inspiration for Playwrights Project is about, please click here (the original idea) and here (the evolution of that idea) to get some context before reading.)   Part of the reason it’s been so long is that I’ve been super […]

RIPP #46: IN SUPPORT OF WOMEN’S WORK

   From DEE JAE COX, CO-FOUNDER/PRESIDENT/ARTISTIC DIRECTOR, LOS ANGELES WOMEN’S THEATRE PROJECT   ( If you don’t know what RIPP: Real Inspiration for Playwrights Project is about, please click here (the original idea) and here (the evolution of that idea) to get some context before reading.)   “I’m sure you know the statistics, only 20 percent of plays that do […]