HOW I GOT EIGHT FULL-LENGTH PRODUCTIONS THIS YEAR

  If there’s anything I’ve noticed, it’s that playwrights keep their marketing methods extremely close to the vest. I’ve often asked “So how did that production come about?” only to have the question ignored (sometimes repeatedly), or answered “Oh, I’m persistent,” when I want—what we ALL want—is specifics. My Real Inspiration for Playwrights Project (RIPP—all […]

Musings on BRILLIANT WORKS OF ART

    Last night, I finished the first draft of my seventh full-length play. It’s had several working titles, including The Art of Sugar, Sweet Nothing, Boxes and Bows, and, now, Brilliant Works of Art; that last one best sums up the play. I don’t know if it will be the final title, but I’m […]