#365GRATEFULPLAYWRIGHT: A YEAR OF WHAT MAKES IT ALL WORTHWHILE NOVEMBER/PART ONE

Gratitude journals and their more public cousins—gratitude Facebook posts—have become mindful ways to connect with what is good in our lives. I’ve never done one, but it occurred to me a while back that doing a 365 Grateful for playwriting might illuminate a year’s worth of reasons why we’re so loyal to this sometimes discouraging […]

#365GRATEFULPLAYWRIGHT: A YEAR OF WHAT MAKES IT ALL WORTHWHILE/MARCH PART ONE

  (Click here to read other posts in this series)   Gratitude journals and their more public cousins—gratitude Facebook posts—have become mindful ways to connect with what is good in our lives. I’ve never done one, but it occurred to me a while back that doing a 365 Grateful for playwriting might illuminate a year’s worth […]

DG Regional Report: Western New York by Donna Hoke

(Reprinted from the November issue of The Dramatist)     The Buffalo Infringement Festival, which celebrated its eighth year in 2013, is a wonderfully illustrative example of the constant creation and collaboration that defines the Buffalo theater scene. Though the Festival comprises art installations, dance, music, media, puppetry, and more, theater has always been an […]