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MY NEW SERIES: SUCCESS AND PLAYWRIGHTS LIVING OUTSIDE NEW YORK CITY (#PLONY)

  You really need to move to New York. You’ve heard that, right? I don’t live in New York City; is my playwriting career doomed? Sometimes, it seems that way—or at least seems as though others feel that way. Recently, on a panel of six playwrights, the five before me all introduced themselves, “I’m First […]

IF I HAD IT TO DO OVER, WOULD I BLOG ABOUT WORDS PLAYERS? 

  A fellow Dramatist Guild rep posed this question to me, in view of the ugliness that followed my blog post about the egregious guidelines set forth by Words Players in Rochester, Minnesota. It gave me pause, because the hate heaped on this small theater company became extreme, and some saw us, the playwright community, […]

ARE WE AFRAID TO DEMAND #PLAYWRIGHTRESPECT?

  AND IF SO, THEN HOW DO WE GET IT?   Wow, it’s been a whirlwind couple of days. I know I promised to launch my new blog series soon—and it’s still in the works and getting better, and I will—but this whole #playwrightrespect storm took me by surprise. I posted to Facebook about a […]

DISSECTING THE MOST DISGUSTING CALL FOR PLAYS I’VE EVER SEEN

  Not long ago, I wrote an important blog post called Arrogance, Ignorance, and Playwright Respect , which got more views than anything else I’ve ever written (if you haven’t read it, I encourage you to, because it is such an important issue). Sadly, we playwrights know what an uphill battle it is to have the […]

#365GRATEFULPLAYWRIGHT: A YEAR OF WHAT MAKES IT ALL WORTHWHILE AUGUST/PART ONE

  Gratitude journals and their more public cousins—gratitude Facebook posts—have become mindful ways to connect with what is good in our lives. I’ve never done one, but it occurred to me a while back that doing a 365 Grateful for playwriting might illuminate a year’s worth of reasons why we’re so loyal to this sometimes […]

WHY YOU NEED TO ATTEND A PLAYWRIGHTS CONFERENCE (and AN INTROVERT’S GUIDE TO SURVIVING ONE)

  Years ago, I emailed the amazing EM Lewis (SONGS OF EXTINCTION, THE GUN SHOW) and asked her how, as a not-fresh-out-of-college, female, late-starting playwright not living in New York City, she’d managed to get her work noticed. Typically, she was very generous in her reply and said, among other things, that each year, she […]

#365GRATEFULPLAYWRIGHT: A YEAR OF WHAT MAKES IT ALL WORTHWHILE JULY/PART TWO

(Click here to read other posts in this series)   Gratitude journals and their more public cousins—gratitude Facebook posts—have become mindful ways to connect with what is good in our lives. I’ve never done one, but it occurred to me a while back that doing a 365 Grateful for playwriting might illuminate a year’s worth of […]

TAKE THE NEW PLAY EXCHANGE (NPX) CHALLENGE

  I recently returned from the Citywrights Conference in Miami, where I sat on a panel about marketing your work online, along with Deborah Zoe Laufer and Gwydion Suilebhan, project director for the New Play Exchange (NPX). Part of what we discussed is the importance of having an online presence, a place where people interested […]

#365GRATEFULPLAYWRIGHT: A YEAR OF WHAT MAKES IT ALL WORTHWHILE JULY/PART ONE

(Click here to read other posts in this series)   Gratitude journals and their more public cousins—gratitude Facebook posts—have become mindful ways to connect with what is good in our lives. I’ve never done one, but it occurred to me a while back that doing a 365 Grateful for playwriting might illuminate a year’s worth of […]

ARROGANCE, IGNORANCE, AND #PLAYWRIGHT RESPECT

  I have a good actor/director friend who told me that, in college, she took a Playwrights Appreciation class. Can you imagine? And can you imagine how different the theater landscape might be if all theater majors were required to take this class? In my short career as a playwright, I’ve experienced and heard of […]