originally posted on July 12, 2011 I’m not going to make it a habit to post about Buffalo theater, because reviews per se seem to be a bit of a conflict of interest. I do want to post about Recovery Mode, playing one more weekend at Buffalo United Artists because it struck me as different, even […]

originally posted on June 27, 2011 My newest play–or at least my newest completed draft–SEEDS, is currently in development as part of The Emanuel Fried New Play Workshop through Road Less Traveled Theater. Last year, because of the production of The Couple Next Door, I was unable to participate, and I really missed it. I […]

originally posted on June 15, 2011 The other day, I got an exciting email from David Carnevale, Managing Director of Theatre Out. My short play, Write This Way, has been selected as one of six to be part of their second annual Briefs Festival. The show runs ten nights, and last year, every night sold […]

originally posted on May 23, 2011 Rather than go into the details about the other plays in the New Works 4 International Short Play Festival, I’ll let reviewer Rachel Lynn Brody do that: Review of New Works 4Though Director James Ashcraft, whom I finally had the pleasure to meet, told me myriad horror stories about […]

originally posted on May 23, 2011 Getting a reasonably priced hotel room in New York City (and by reasonable, I mean $150 or less–I have never paid more than $150 for a Manhattan hotel room), this past weekend was impossible. Even the pod hotels were raking in $300+ for a cubicle, which was well out […]

originally posted on May 19, 2011 I’m just finishing up some last-minute housekeeping items and then I’m off to New York to see my play, Gift Horse, performed at the New Works 4 International Short Play Festival at the Richmond Shepard Theatre at 309 East 26th Street. In the past month, I’ve had two situations where […]

originally posted on May 11, 2011 …there is a small ray of hope. This past year, I’ve committed to submitting plays like crazy because it became increasingly clear to me that my plays,  unlike my children’s book, Neko and the Twiggets, will never enjoy an eternal  place in the bibliographic universe. They can only truly be […]

Stephen Adly Guirgis comes to Buffalo May 14 to attend a production of his play, The Last Days of Judas Iscariot, at the Road Less Traveled Theatre. Earlier that day, he’ll meet with local playwrights for an onstage interview and Q&A and after the show, he’ll attend a gala, along with Stephen McKinley Henderson, who […]