Welcome back! If you’re still here and haven’t subscribed, please take a second to do so at the right. Thank you! Short and sweet this week as I finish the utility scene I started last week. This week, I have to put the girls on the road, though I realize that since they […]
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EPISODE 13: FINDING NEIL PATRICK HARRIS, A Play In Process
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EPISODE 12: FINDING NEIL PATRICK HARRIS, A Play In Process
Welcome back! If you have not yet subscribed at the right, please do! It helps to know that I’m not writing into a void. Thank you! After last week’s revelations, we move into something of a utility phase. I need to get these girls out, but also get cement some more […]
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EPISODE 11: FINDING NEIL PATRICK HARRIS, A Play In Process
Lots of changes here! If you haven’t subscribed yet, please take a moment to do so at right. And if you need to catch up, start here. Thank you! This point was bound to come. Playwright readers know it well: the messy middle. As if first drafts aren’t messy enough—too much dialogue, […]
NOT EVERY JOURNEY ENDS IN PRODUCTION
I started this blog post about BRILLIANT WORKS OF ART a couple of years ago not knowing how it would end, but hoping it would be as we hope all play journeys end: with production. Writing this post, and anticipating finishing it someday with a great production success, was coping therapy after learning that this play […]
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2017 Year in Review
In my continual quest to prove that submitting does work, I again offer up total transparency in my year’s submission and results. As with 2014’s Recap: You Can’t Argue With Numbers, 2015’s Review in Numbers, and 2016’s Year in Review, the goal is to share numbers, changes, results, and any other information that makes […]
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THAT ELUSIVE SECOND PRODUCTION
**Warning** This is a long one… but readers have been asking for it… Be careful what you wish for ???? “My play had a great world premiere, and now I can’t get a second production, because it’s been produced already.” I hear this a lot, and I address some of the problem […]
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My 2016 Year in Review
In my continual quest to prove that submitting does work, I again offer up total transparency in my year’s submission and results. As with 2014’s Recap: You Can’t Argue With Numbers and 2015’s Review in Numbers, the goal is always to show that submitting yields results. More than that, consistency yields momentum, which is […]
Posted in Playwrights, Productions, Theater, Trade A Play Tuesday | 3 Comments »
PLAYWRIGHTS AND THE STATE OF PERPETUAL HOPE
If you clicked on this title, you know what I’m talking about. It’s the thing that makes us obsessively check our email because, at any moment, an acceptance could arrive—and what if we don’t see it immediately? The thing that makes us cough up fees—maybe even against our better judgment—because that opportunity could lead to […]
Posted in Interviews, Playwrights, PLONY, Productions, Theater | 7 Comments »
How my play, SAFE, got a “safe” first production that guaranteed its future success
Safe had been a long time coming. I first wrote it in 2012, put it through the Emanuel Fried New Play Workshop, where it had peer review and a staged reading, got some private dramaturgy for it, and started sending it out. I was fortunate that it was a semi-finalist for nuVoices at Actors Theatre […]
#365GRATEFULPLAYWRIGHT: A YEAR OF WHAT MAKES IT ALL WORTHWHILE SEPTEMBER/PART TWO
Gratitude journals and their more public cousins—gratitude Facebook posts—have become mindful ways to connect with what is good in our lives. I’ve never done one, but it occurred to me a while back that doing a 365 Grateful for playwriting might illuminate a year’s worth of reasons why we’re so loyal to this sometimes discouraging […]
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