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RIPP #36: PAUL ADAMS, ARTISTIC DIRECTOR, EMERGING ARTISTS THEATRE

  If you don’t know what RIPP: Real Inspiration for Playwrights Project is about, please click here to get some context before reading.   From PAUL ADAMS, ARTISTIC DIRECTOR, EMERGING ARTISTS THEATRE   Note:  Emerging Artists Theatre’s submission window is currently CLOSED.   “I read all submissions, because if someone’s taken the time, the least I can […]

RIPP #34: BRIAN GRACE-DUFF, PLAYWRIGHT IN RESIDENCE, BRAT PRODUCTIONS

  Can you believe this is the 34th post in this series? If you’ve been reading, I would love to hear how RIPP has helped you, so that I can share these responses in a future post. And if you don’t know what RIPP: Real Inspiration for Playwrights Project is about, please click here to get some […]

RIPP #33: HAMILTON CLANCY, ARTISTIC DIRECTOR, DRILLING COMPANY

  If you don’t know what RIPP: Real Inspiration for Playwrights Project is about, please click here to get some context before reading.   From HAMILTON CLANCY, ARTISTIC DIRECTOR, DRILLING COMPANY   “I love playwrights, oh my god, do I love playwrights. We do read. I prefer getting a snail mail manuscript I’m practical about it; you […]

Musings on BRILLIANT WORKS OF ART

    Last night, I finished the first draft of my seventh full-length play. It’s had several working titles, including The Art of Sugar, Sweet Nothing, Boxes and Bows, and, now, Brilliant Works of Art; that last one best sums up the play. I don’t know if it will be the final title, but I’m […]

RIPP #32: STEPHEN WILLEMS, LITERARY MANAGER/RESIDENT DRAMATURG, MCC

  If you don’t know what RIPP: Real Inspiration for Playwrights Project is about, please click here to get some context before reading.   From STEPHEN WILLEMS, LITERARY MANAGER/RESIDENT DRAMATURG, MCC   “Two years ago, Jeff Talbott submitted a dialogue sample and synopsis to MCC Theater, since we do not accept unsolicited scripts. One of my readers […]

RIPP #31: ELISSA ADAMS, DIRECTOR OF NEW PLAY DEVELOPMENT, CHILDREN’S THEATRE COMPANY

  If you don’t know what RIPP: Real Inspiration for Playwrights Project is about, please click here to get some context before reading.   Today,  a small preamble about  the name of this series: There have been a couple of people who have pointed out that RIPP, even with two Ps, makes them think someone has died. […]

RIPP #30: STEPHEN FOGLIA, LITERARY MANAGER, UNDERMAIN THEATRE

    If you don’t know what RIPP: Real Inspiration for Playwrights Project, is about, please click here to get some context before reading.   From STEPHEN FOGLIA, LITERARY MANAGER, UNDERMAIN THEATRE   “As a Literary Manager and playwright, I constantly wonder how exactly I, or any other artist, is meant to recognize exceptional work. I read […]

RIPP #28: SUSAN LYLES, ARTISTIC DIRECTOR, AND TOTO TOO

    If you don’t know what RIPP: Real Inspiration for Playwrights Project, is about, please click here to get some context before reading.   From SUSAN LYLES, ARTISTIC DIRECTOR, AND TOTO TOO   “Our plays are never ones that everyone is doing. We focus on unpublished/unproduced plays for everything that we do. We are, however, a […]

THE PROBLEM WITH THEATER MISSION STATEMENTS

    I’m taking a sidebar here to talk about missions, because if you’ve been following the Real Inspiration for Playwrights Project (RIPP) for the past five months or so, you know that a recurring complaint from literary managers and artistic directors is that they get plays that don’t fit their missions, and that we […]

RIPP #26: ANITA MONTGOMERY, LITERARY MANAGER, ACT THEATRE

  If you don’t know what RIPP: Real Inspiration for Playwrights Project, please click here to get some context before reading. I have a feeling not everyone is doing this, as I keep getting emails from playwrights wanting to send me their plays or asking how to get produced which, again, is not the point of RIPP […]