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RIPP #49: FROM ROBYN FLATT, EXECUTIVE ARTISTIC DIRECTOR, DALLAS CHILDREN’S THEATER

    As always, if you don’t know what RIPP: Real Inspiration for Playwrights Project is about, please click here (the original idea) and here (the evolution of that idea) to get some context before reading).   FROM ROBYN FLATT, EXECUTIVE ARTISTIC DIRECTOR, DALLAS CHILDREN’S THEATER   “It is a tough world out there for playwrights now that boards […]

RIPP #48: ABIGAIL ROSE SOLOMON, FOUNDER, ROSALIND PRODUCTIONS

    As promised, another installment of RIPP. And, as always, if you don’t know what RIPP: Real Inspiration for Playwrights Project is about, please click here (the original idea) and here (the evolution of that idea) to get some context before reading.   FROM ABIGAIL ROSE SOLOMON, FOUNDER, ROSALIND PRODUCTIONS   “I’m sort of a one-woman show; I […]

RIPP #47: KYLE BASS, RESIDENT DRAMATURG, SYRACUSE STAGE AND AN IMPORTANT MESSAGE ABOUT THE FUTURE OF RIPP

  Well… it’s been a long time since I’ve written a RIPP post. (If you don’t know what RIPP: Real Inspiration for Playwrights Project is about, please click here (the original idea) and here (the evolution of that idea) to get some context before reading.)   Part of the reason it’s been so long is that I’ve been super […]

RIPP #46: IN SUPPORT OF WOMEN’S WORK

   From DEE JAE COX, CO-FOUNDER/PRESIDENT/ARTISTIC DIRECTOR, LOS ANGELES WOMEN’S THEATRE PROJECT   ( If you don’t know what RIPP: Real Inspiration for Playwrights Project is about, please click here (the original idea) and here (the evolution of that idea) to get some context before reading.)   “I’m sure you know the statistics, only 20 percent of plays that do […]

RIPP #45: DEEN KEEGAN, ARTISTIC DIRECTOR. SOCIETY HILL PLAYHOUSE

    If you don’t know what RIPP: Real Inspiration for Playwrights Project is about, please click here (the original idea) and here (the evolution of that idea) to get some context before reading.   From DEEN KEEGAN, ARTISTIC DIRECTOR. SOCIETY HILL PLAYHOUSE   “Over the past several years, the new plays we’ve done have each come in […]

DURING REJECTION SEASON, A REMINDER ABOUT PERSPECTIVE PART #2

    A few weeks ago, I wrote about keeping perspective on your work in the spring months, when we get more than the usual amount of letters about how our work is not quite right for this production or that prize. It’s particularly difficult with the growing number of “rejection by announcement” notifications, the […]

RIPP #44: PATRICK DOOLEY, FOUNDING ARTISTIC DIRECTOR, SHOTGUN PLAYERS

    If you don’t know what RIPP: Real Inspiration for Playwrights Project is about, please click here to get some context before reading.   From PATRICK DOOLEY, FOUNDING ARTISTIC DIRECTOR, SHOTGUN PLAYERS   “What playwrights and directors need to do is find each other. Directors come to me and say ‘I want to direct for you,’ […]

RIPP #43: JUNE BALLINGER, EXECUTIVE ARTISTIC DIRECTOR, PASSAGE THEATRE COMPANY

  If you don’t know what RIPP: Real Inspiration for Playwrights Project is about, please click here to get some context before reading.   From JUNE BALLINGER, EXECUTIVE ARTISTIC DIRECTOR, PASSAGE THEATRE COMPANY   “We actually just changed our submission process [Passage no longer accepts unsolicited submissions] as we get so many submissions, we simply do not […]

RIPP #42: MARISSA WOLF, ARTISTIC DIRECTOR CROWDED FIRE

  If you don’t know what RIPP: Real Inspiration for Playwrights Project is about, please click here to get some context before reading.   From MARISSA WOLF, ARTISTIC DIRECTOR, CROWDED FIRE   “We recently produced the West Coast Premiere of The Bereaved by Thomas Bradshaw. The first time I read a Thomas Bradshaw play in 2009, I tore […]

RIPP #41: JAZ DORSEY, DRAMATURG, CO-FOUNDER/MANAGING DIRECTOR SPIRAL THEATRE STUDIO

    If you don’t know what RIPP: Real Inspiration for Playwrights Project is about, please click here to get some context before reading.   From JAZ DORSEY, DRAMATURG, CO-FOUNDER/MANAGING DIRECTOR SPIRAL THEATRE STUDIO   “I actively look for things and if I see something I like, I go after it. I end up partnering with the […]