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WHY IS IT SO HARD TO GET ATTENTION  FOR COMEDIES? FIVE REASONS

I guess it’s time to post about something I’ve been saying for a while: if you write comedies, it’s tough to find homes for them. Yesterday, my colleague, Ken Levine, posted on his blog  that post-pandemic, theaters need to program lots of comedies. I agree, but this suggests that theaters have previously not wanted comedies […]

Three playwright questions as theater reignites

  I just purchased a plane ticket with some of the airline credit I’ve had since I chose not to travel to a writers’ retreat in March 2020. And it’s to attend a live production of my play, TEACH, in New York City. LIVE. SONS & LOVERS will be in Columbus, OH. LIVE. In August, […]

2020: A PLAYWRIGHT’S YEAR IN REVIEW

When it came to results, because of Zoom, this year was actually better than last in terms of readings, and Naatak theater gave FLOWERS IN THE DESERT a stellar virtual production, featuring a married couple who fully staged it from their garage and directed by Harish Agastya; it was so beautiful, I made my husband watch it!

#PLONY PROFILE #4: MICHAEL MCKEEVER, DAVIE, FLORIDA

  What is a #PLONY? Find out here, and also read an explanation as to why I’m writing a series of #PLONY Profiles.   In June, at the CityWrights Conference in Miami, Dramatists Guild Western Florida Regional Representative Dewey Davis-Thompson left briefly to attend the world premiere of Michael McKeever’s DANIEL’S HUSBAND at Island City Stage […]