2015 YEAR IN REVIEW BY NUMBERS

    Last year, I reviewed my records and did a thorough analysis of the submissions I made and how they paid off: 2014 Submission Recap: You Can’t Argue With Numbers. I could do the same thing again this year, but the point would be the same: you have to submit your work—frequently. So, instead I […]

#365GRATEFULPLAYWRIGHT: THE FINAL INSTALLMENT/DECEMBER PART TWO

THIS IS IT! THE END!   Gratitude journals and their more public cousins—gratitude Facebook posts—have become mindful ways to connect with what is good in our lives. I’ve never done one, but it occurred to me a while back that doing a 365 Grateful for playwriting might illuminate a year’s worth of reasons why we’re […]

#PLONY PROFILE #9: TOPHER PAYNE, ATLANTA, GEORGIA

  Last week, I marveled at how different every #PLONY’s journey has been; make that triple for Topher Payne. You know how when an actor finally breaks through and everybody asks “Where has he been?” and the answer is toiling away, learning his craft, waiting for the moment when his hard work is noticed? That’s […]

I’M LOSING FAITH IN TEN-MINUTE PLAY FESTIVALS (BUT NOT HOPE)

  Are you shocked?   Not too long ago, I wrote a post called YOU WANT OUR UNPRODUCED TEN-MINUTE PLAYS WHY? that was probably the tip of this iceberg; it expressed frustration, but tried to frame it in a logical approach to ten-minute play submission, one that we could feel good about. I have always […]