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WHY IS IT SO HARD TO GET ATTENTION  FOR COMEDIES? FIVE REASONS

I guess it’s time to post about something I’ve been saying for a while: if you write comedies, it’s tough to find homes for them. Yesterday, my colleague, Ken Levine, posted on his blog  that post-pandemic, theaters need to program lots of comedies. I agree, but this suggests that theaters have previously not wanted comedies […]

MY 2018 YEAR IN REVIEW

Once again, I offer up the year’s facts and figures in an attempt to inspire you to keep up your submission game.  As with 2014’s Recap: You Can’t Argue With Numbers, 2015’s Review in Numbers, 2016’s Year in Review, and 2017 Year in Review, the goal is to share stats and results of submission, the hows of productions, […]

2017 Year in Review

  In my continual quest to prove that submitting does work, I again offer up total transparency in my year’s submission and results. As with 2014’s Recap: You Can’t Argue With Numbers, 2015’s Review in Numbers, and 2016’s Year in Review, the goal is to share numbers, changes, results, and any other information that makes […]

ARTISTS HELPING ARTISTS (#AHAinTheater) ADAM AND AURIN TALK MARKETING—PART 2

  Playwrights active online know the names Adam Szymkowicz and Aurin Squire. Not only are they both prolific, productive, and produced playwrights, they’re also the kind who give back. Adam writes the popular I Interview Playwrights blog, and Aurin contributes a monthly Get What You Want list of opportunities on his long-running Six Perfections blog. […]

#PLONY PROFILE #11: KAREN ZACARIAS, WASHINGTON DC

  What is a/are #PLONY? Find out here, and also read an explanation as to why I’m writing a series of #PLONY Profiles.   From the time I started the #PLONY (Playwrights Living Outside New York) series, I wanted to interview Karen Zacarias. Not surprisingly, her busy schedule—which includes not just continual productions across the […]

#365GRATEFULPLAYWRIGHT: A YEAR OF WHAT MAKES IT ALL WORTHWHILE DECEMBER/PART ONE

Gratitude journals and their more public cousins—gratitude Facebook posts—have become mindful ways to connect with what is good in our lives. I’ve never done one, but it occurred to me a while back that doing a 365 Grateful for playwriting might illuminate a year’s worth of reasons why we’re so loyal to this sometimes discouraging […]

#PLONY PROFILE #2: WILLIAM MISSOURI DOWNS, MIDDLE-OF-NOWHERE, WYOMING

   What is a #PLONY? Find out here, and also read an explanation as to why I’m writing a series of #PLONY Profiles.   Here are my two encounters with William Missouri Downs prior to doing this interview: 1) Naked Playwriting, his book, was the first I ever picked up on the craft. 2) When I […]

#365GRATEFULPLAYWRIGHT: A YEAR OF WHAT MAKES IT ALL WORTHWHILE/JANUARY PART TWO

  (Click to read #365GRATEFULPLAYWRIGHT: A YEAR OF WHAT MAKES IT ALL WORTHWHILE/JANUARY PART ONE)   Gratitude journals and their more public cousins—gratitude Facebook posts—have become mindful ways to connect with what is good in our lives. I’ve never done one, but it occurred to me a while back that doing a 365 Grateful for […]

RIPP #43: JUNE BALLINGER, EXECUTIVE ARTISTIC DIRECTOR, PASSAGE THEATRE COMPANY

  If you don’t know what RIPP: Real Inspiration for Playwrights Project is about, please click here to get some context before reading.   From JUNE BALLINGER, EXECUTIVE ARTISTIC DIRECTOR, PASSAGE THEATRE COMPANY   “We actually just changed our submission process [Passage no longer accepts unsolicited submissions] as we get so many submissions, we simply do not […]