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2022 YEAR IN REVIEW: EXPANDING MY HORIZONS

  Three facts conspire to make this a strange year—both the best I’ve had as a playwright and also the worst. First, I made almost my lowest number of submissions since I started keeping records back in 2011. Just 188. That’s about a third of what I was making in the peak submission years when […]

THAT ELUSIVE SECOND PRODUCTION

  **Warning** This is a long one… but readers have been asking for it… Be careful what you wish for ????   “My play had a great world premiere, and now I can’t get a second production, because it’s been produced already.”   I hear this a lot, and I address some of the problem […]

NETWORKING AND FOLLOW-UP, or “I submit like you said; what else?”

  In my blog post, How To Submit So Your Plays Get Produced (recently recorded as a Dramatists Guild webinar!), I talk a lot about getting your work out here. And why it is so important because you’re not only showing people that you’re consistently in the game, not a hobbyist but a serious contender, […]

2014 SUBMISSION RECAP: YOU CAN’T ARGUE WITH NUMBERS

  Last year in my 2013 submission recap, I simply reported how many theaters I’d submitted to, and how many I’d heard back from. I’m going to go about it a bit differently this year, and make some comparisons over the past three years, because I think—I hope—it will be telling.  (I’m a few days […]

FINAL RIPP POST #52: SEAN DANIELS, ARTISTIC DIRECTOR MERRIMACK REPERTORY THEATRE (FORMERLY ARTIST-AT-LARGE, GEVA THEATRE CENTER)

  As always, if you don’t know what RIPP: Real Inspiration for Playwrights Project is about, please click here (the original idea) and here (the evolution of that idea) to get some context before reading).   Before we begin, let’s congratulate Sean Daniels on his new appointment as Artistic Director of Merrimack Repertory Theatre!   And now, as […]

RIPP #50: REDUCING THE CLUTTER: A COMPILATION POST

    As I wind down the RIPP series in preparation for something different in the new year, I’m gathering together some of the shorter bits I have. Though shorter, I hope they are no less inspirational. In this group, the advice is all about how to, as one playwright friend says, reduce the clutter, […]

RIPP #49: FROM ROBYN FLATT, EXECUTIVE ARTISTIC DIRECTOR, DALLAS CHILDREN’S THEATER

    As always, if you don’t know what RIPP: Real Inspiration for Playwrights Project is about, please click here (the original idea) and here (the evolution of that idea) to get some context before reading).   FROM ROBYN FLATT, EXECUTIVE ARTISTIC DIRECTOR, DALLAS CHILDREN’S THEATER   “It is a tough world out there for playwrights now that boards […]

RIPP #48: ABIGAIL ROSE SOLOMON, FOUNDER, ROSALIND PRODUCTIONS

    As promised, another installment of RIPP. And, as always, if you don’t know what RIPP: Real Inspiration for Playwrights Project is about, please click here (the original idea) and here (the evolution of that idea) to get some context before reading.   FROM ABIGAIL ROSE SOLOMON, FOUNDER, ROSALIND PRODUCTIONS   “I’m sort of a one-woman show; I […]

RIPP #47: KYLE BASS, RESIDENT DRAMATURG, SYRACUSE STAGE AND AN IMPORTANT MESSAGE ABOUT THE FUTURE OF RIPP

  Well… it’s been a long time since I’ve written a RIPP post. (If you don’t know what RIPP: Real Inspiration for Playwrights Project is about, please click here (the original idea) and here (the evolution of that idea) to get some context before reading.)   Part of the reason it’s been so long is that I’ve been super […]

RIPP #46: IN SUPPORT OF WOMEN’S WORK

   From DEE JAE COX, CO-FOUNDER/PRESIDENT/ARTISTIC DIRECTOR, LOS ANGELES WOMEN’S THEATRE PROJECT   ( If you don’t know what RIPP: Real Inspiration for Playwrights Project is about, please click here (the original idea) and here (the evolution of that idea) to get some context before reading.)   “I’m sure you know the statistics, only 20 percent of plays that do […]