NETWORKING AND FOLLOW-UP, or “I submit like you said; what else?”

  In my blog post, How To Submit So Your Plays Get Produced (recently recorded as a Dramatists Guild webinar!), I talk a lot about getting your work out here. And why it is so important because you’re not only showing people that you’re consistently in the game, not a hobbyist but a serious contender, […]

HOW TO PLAY #POFF: Playwrights Offering Free Feedback–a free reading/feedback circle

    The third anniversary of the launch of TRADE A PLAY TUESDAY (#TAPT) has just passed. In its three years of operation, there has never been a Tuesday without participants, and feedback and experience have served to iron out the kinks. Since #TAPT now runs (mostly always) seamlessly each week, it’s a good time […]

My 2016 Year in Review

  In my continual quest to prove that submitting does work, I again offer up total transparency in my year’s submission and results. As with 2014’s Recap: You Can’t Argue With Numbers and 2015’s Review in Numbers, the goal is always to show that submitting yields results. More than that, consistency yields momentum, which is […]

TEN REASONS YOU SHOULD BE WRITING TEN-MINUTE PLAYS

  Every so often, on Official Playwrights of Facebook, a debate erupts about the merits of the ten-minute play. Naysayers contend that there’s no such thing as a ten-minute “play”; it’s an exercise, it’s not real writing, it’s a sketch, and so on. Proponents counter that a good (and they do acknowledge that, as with […]

TRADE A PLAY TUESDAY (#TAPT) TURNS TWO! (Read and share these awesome birthday testimonials!)

  (If you don’t know what TRADE A PLAY TUESDAY is, please click here to read the guidelines and learn how to participate.)   This week, TRADE A PLAY TUESDAY (TAPT) celebrates its two-year anniversary. Except for a handful of Tuesdays, it has run every single week, and, every single week without fail, playwrights have shown up to trade […]

2015 YEAR IN REVIEW BY NUMBERS

    Last year, I reviewed my records and did a thorough analysis of the submissions I made and how they paid off: 2014 Submission Recap: You Can’t Argue With Numbers. I could do the same thing again this year, but the point would be the same: you have to submit your work—frequently. So, instead I […]

I’M LOSING FAITH IN TEN-MINUTE PLAY FESTIVALS (BUT NOT HOPE)

  Are you shocked?   Not too long ago, I wrote a post called YOU WANT OUR UNPRODUCED TEN-MINUTE PLAYS WHY? that was probably the tip of this iceberg; it expressed frustration, but tried to frame it in a logical approach to ten-minute play submission, one that we could feel good about. I have always […]

EIGHT COMMON PROBLEMS WITH TEN-MINUTE PLAYS

  I read a lot of ten-minute plays. Not only do I co-curate BUA Takes 10: GLBT Short Stories, but I run TRADE A PLAY TUESDAY and often participate myself (contrary to some beliefs, I do NOT read every play that comes in, only if I’m trading myself), as well as read for several other festivals and […]

HAPPY BIRTHDAY TRADE A PLAY TUESDAY (AND A PLEA FOR HELP that isn’t $$)!

  Today, TRADE A PLAY TUESDAY (TAPT) celebrates its one-year anniversary (okay, it’s actually tomorrow, but today is Tuesday, so…). Except for three Tuesdays, it has run every single week, and every single week, playwrights have shown up to trade plays. There have been nearly a thousand traded, and more than a few have gone […]

#365GRATEFULPLAYWRIGHT: A YEAR OF WHAT MAKES IT ALL WORTHWHILE/JANUARY PART ONE

  Gratitude journals and their more public cousins—gratitude Facebook posts—have become mindful ways to connect with what is good in our lives. I’ve never done one, but it occurred to me a while back that doing a 365 Grateful for playwriting might illuminate a year’s worth of reasons why we’re so loyal to this sometimes […]