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THE MYTH OF PREMIERE-ITIS

  Ready for a little rant? I’ve kind of had it with complaints about the purported one-and-done mentality of American theater. I’ve had it because it’s simply not true; more, there are no facts to support this presumption.   Before I get into my actual argument, I will concede up front that most contests do indeed […]

#365GRATEFULPLAYWRIGHT: A YEAR OF WHAT MAKES IT ALL WORTHWHILE/FEBRUARY PART ONE

  (Click here to read other posts in this series)   Gratitude journals and their more public cousins—gratitude Facebook posts—have become mindful ways to connect with what is good in our lives. I’ve never done one, but it occurred to me a while back that doing a 365 Grateful for playwriting might illuminate a year’s worth […]

#365GRATEFULPLAYWRIGHT: A YEAR OF WHAT MAKES IT ALL WORTHWHILE/JANUARY PART TWO

  (Click to read #365GRATEFULPLAYWRIGHT: A YEAR OF WHAT MAKES IT ALL WORTHWHILE/JANUARY PART ONE)   Gratitude journals and their more public cousins—gratitude Facebook posts—have become mindful ways to connect with what is good in our lives. I’ve never done one, but it occurred to me a while back that doing a 365 Grateful for […]

HAPPY BIRTHDAY TRADE A PLAY TUESDAY (AND A PLEA FOR HELP that isn’t $$)!

  Today, TRADE A PLAY TUESDAY (TAPT) celebrates its one-year anniversary (okay, it’s actually tomorrow, but today is Tuesday, so…). Except for three Tuesdays, it has run every single week, and every single week, playwrights have shown up to trade plays. There have been nearly a thousand traded, and more than a few have gone […]

#365GRATEFULPLAYWRIGHT: A YEAR OF WHAT MAKES IT ALL WORTHWHILE/JANUARY PART ONE

  Gratitude journals and their more public cousins—gratitude Facebook posts—have become mindful ways to connect with what is good in our lives. I’ve never done one, but it occurred to me a while back that doing a 365 Grateful for playwriting might illuminate a year’s worth of reasons why we’re so loyal to this sometimes […]

2014 SUBMISSION RECAP: YOU CAN’T ARGUE WITH NUMBERS

  Last year in my 2013 submission recap, I simply reported how many theaters I’d submitted to, and how many I’d heard back from. I’m going to go about it a bit differently this year, and make some comparisons over the past three years, because I think—I hope—it will be telling.  (I’m a few days […]

FINAL RIPP POST #52: SEAN DANIELS, ARTISTIC DIRECTOR MERRIMACK REPERTORY THEATRE (FORMERLY ARTIST-AT-LARGE, GEVA THEATRE CENTER)

  As always, if you don’t know what RIPP: Real Inspiration for Playwrights Project is about, please click here (the original idea) and here (the evolution of that idea) to get some context before reading).   Before we begin, let’s congratulate Sean Daniels on his new appointment as Artistic Director of Merrimack Repertory Theatre!   And now, as […]

RIPP #51: CYNDY MARION, PRODUCING ARTISTIC DIRECTOR, WHITE HORSE THEATER

   As always, if you don’t know what RIPP: Real Inspiration for Playwrights Project is about, please click here (the original idea) and here (the evolution of that idea) to get some context before reading).   From CYNDY MARION, PRODUCING ARTISTIC DIRECTOR, WHITE HORSE THEATER   “White Horse Theater Company is a very small not-for-profit off-off Broadway theater company […]

RIPP #50: REDUCING THE CLUTTER: A COMPILATION POST

    As I wind down the RIPP series in preparation for something different in the new year, I’m gathering together some of the shorter bits I have. Though shorter, I hope they are no less inspirational. In this group, the advice is all about how to, as one playwright friend says, reduce the clutter, […]

INTERVIEWS WITH GUIRGIS, GURNEY, PARKS, AND HWANG

    Occasionally, for one of my non-playwriting jobs, I have the good fortune to interview some wonderfully renowned playwrights.  Today, I thought I’d share them:   Stephen Adly Guirgis Suzan-Lori Parks A.R. Gurney David Henry Hwang I’ll be back next week with a new post for the Real Inspiration for Playwrights Project (RIPP). Until […]