SCRIPT FEEDBACK & CAREER COACHING SERVICES
Donna Hoke offers page-by-page script analysis and career coaching for a reasonable fee. If interested, please inquire at donna@donnahoke.com.

PLAYWRIGHTS, OWN YOUR HOMETOWN! (Getting traction in your own backyard)

  I know many of you who read this blog or have been to one of my submission seminars know about the Playwright Binge, an email group intended to provide support for the arduous but necessary process of marketing our work. The group has grown so large that the recent sharing of an opportunity prompted […]

2015 YEAR IN REVIEW BY NUMBERS

    Last year, I reviewed my records and did a thorough analysis of the submissions I made and how they paid off: 2014 Submission Recap: You Can’t Argue With Numbers. I could do the same thing again this year, but the point would be the same: you have to submit your work—frequently. So, instead I […]

#365GRATEFULPLAYWRIGHT: A YEAR OF WHAT MAKES IT ALL WORTHWHILE/MARCH PART ONE

  (Click here to read other posts in this series)   Gratitude journals and their more public cousins—gratitude Facebook posts—have become mindful ways to connect with what is good in our lives. I’ve never done one, but it occurred to me a while back that doing a 365 Grateful for playwriting might illuminate a year’s worth […]

EIGHT COMMON PROBLEMS WITH TEN-MINUTE PLAYS

  I read a lot of ten-minute plays. Not only do I co-curate BUA Takes 10: GLBT Short Stories, but I run TRADE A PLAY TUESDAY and often participate myself (contrary to some beliefs, I do NOT read every play that comes in, only if I’m trading myself), as well as read for several other festivals and […]

#365GRATEFULPLAYWRIGHT: A YEAR OF WHAT MAKES IT ALL WORTHWHILE/FEBRUARY PART TWO

  (Click here to read other posts in this series)   Gratitude journals and their more public cousins—gratitude Facebook posts—have become mindful ways to connect with what is good in our lives. I’ve never done one, but it occurred to me a while back that doing a 365 Grateful for playwriting might illuminate a year’s worth […]

THE MYTH OF PREMIERE-ITIS

  Ready for a little rant? I’ve kind of had it with complaints about the purported one-and-done mentality of American theater. I’ve had it because it’s simply not true; more, there are no facts to support this presumption.   Before I get into my actual argument, I will concede up front that most contests do indeed […]

#365GRATEFULPLAYWRIGHT: A YEAR OF WHAT MAKES IT ALL WORTHWHILE/JANUARY PART TWO

  (Click to read #365GRATEFULPLAYWRIGHT: A YEAR OF WHAT MAKES IT ALL WORTHWHILE/JANUARY PART ONE)   Gratitude journals and their more public cousins—gratitude Facebook posts—have become mindful ways to connect with what is good in our lives. I’ve never done one, but it occurred to me a while back that doing a 365 Grateful for […]

THE SAD STATE OF WOMEN’S PLAY SUBMISSIONS

  In trying to choose a title for this blog post, I started out with something like “Why Women Need To Submit,” and realized just how awful that sounded. But in the context of play submissions—something I advocate fiercely—there is something worse: according to informal polls and at least one study, women submit fewer plays […]

HOW TO SUBMIT SO YOUR PLAYS GET PRODUCED

  I make a lot of submissions. More than a few hundred a year, as anybody who knows me can attest. And submitting that much–no surprise–yields results in the form of readings, workshops, and productions, as I’ll recap at the end of next month. But before I do that, i.e. before I subject myself to […]

IS THIS WHY YOUR PLAY WAS PASSED UP?

    Buffalo United Artists is currently in the process of reading submissions for BUA Takes 10: GLBT Short Stories, and we’re so overwhelmed by submissions that don’t follow guidelines that I’m feeling compelled to address the issue. Because it’s not an isolated incident. Submission after submission just ignore the guidelines that we thought were […]