If you know Albert Ramsdell Gurney from his days at the Nichols School in Buffalo, you call him Peter, a name he says his mother “picked out of a hat” because Bert and Al were already taken by his father and an uncle. If you became his friend during or after his time at Williams […]
Donna Hoke offers page-by-page script analysis and career coaching for a reasonable fee. If interested, please inquire at donna@donnahoke.com.
A.R. Gurney: A playwright to call our own
Posted in Interviews, Playwrights, Theater | Comments Off on A.R. Gurney: A playwright to call our own
It’s a vagina. Get over it. Respect it.
This blog post is in response to my friend and fellow playwright, Rachel Brody’s actions in getting Eve Ensler to assemble an all-star political cast to read her play, The Vagina Monologues, on the steps of the Michigan State House. Rachel will be holding a solidarity event in New York City tonight. Read about all […]
Posted in Playwrights, Theater | Comments Off on It’s a vagina. Get over it. Respect it.
I hate May and June
I really do. There is always too much going on so that I miss half the things I want to be doing, and am almost too busy to enjoy the things I am. Put a layer of baseball on top of all that, and trying to find time to write… next to impossible. That said, […]
Posted in Playwrights, Productions, Theater | Comments Off on I hate May and June
What makes a strong woman?
Yesterday, there was a Joss Whedon quote going around Facebook: Q: Why do you write strong female characters? A: Because you’re still asking me that question. I reposted it, and thirteen of my women friends, and a lone man (shout out to Steve Roylance!), liked it. I didn’t really need those stats to tell me […]
Posted in Playwrights, Theater | Comments Off on What makes a strong woman?
The power of silence
As a playwright, when I go to readings—whether they’re mine or somebody else’s—I’m always paying attention to the audience as much as the performers on stage. How they’re behaving can tell me a lot about what’s working well in the play and what isn’t. I just got back from NYC (wasn’t that the subject of […]
Posted in Playwrights, Theater | Comments Off on The power of silence
February in New York
I just got back from a whirlwind trip to New York City, delivering a Christmas present to my daughters: Darren Criss. Well, not the man himself, but tickets to his star turn in How To Succeed In Business Without Really Trying. This was his final Saturday performance, and the energy in the audience was thrilling. […]
Posted in Playwrights, Productions, Theater | Comments Off on February in New York
Shuffle off to #newplay
In lieu of a post today, I’m going to direct you to my guest post on 2amtheatre.com: Shuffle off to #newplay There’s a great video about the Buffalo theater scene, so even if the post bores you to tears, give that a watch. It’s awesome! In other news, my short play, Life Lines, won the […]
Meet Patrick Gabridge
Navigating the Divide Between Novels and Plays A Q&A with writer Patrick Gabridge, whose novel, Tornado Siren, just became available as an ebook Patrick is a fellow playwright and founder of the Playwrights Binge that I wrote about last week. Fittingly, I get to feature him here on the final day of the Binge. Thanks […]
The Playwrights Binge
It’s September, which means it’s time for another biannual Playwrights Binge. The goal? Submit at least one play a day for the entire month. The beautiful thing about this is that during this time, Bingers share opportunities that they come across with the entire list. There are no worries about increasing competition or keeping all […]
Posted in Playwrights, Theater | Comments Off on The Playwrights Binge
Why don’t we read each other’s work?
originally posted on June 27, 2011 My newest play–or at least my newest completed draft–SEEDS, is currently in development as part of The Emanuel Fried New Play Workshop through Road Less Traveled Theater. Last year, because of the production of The Couple Next Door, I was unable to participate, and I really missed it. I […]
Posted in Playwrights, Theater | Comments Off on Why don’t we read each other’s work?