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THAT ELUSIVE SECOND PRODUCTION

  **Warning** This is a long one… but readers have been asking for it… Be careful what you wish for ????   “My play had a great world premiere, and now I can’t get a second production, because it’s been produced already.”   I hear this a lot, and I address some of the problem […]

NETWORKING AND FOLLOW-UP, or “I submit like you said; what else?”

  In my blog post, How To Submit So Your Plays Get Produced (recently recorded as a Dramatists Guild webinar!), I talk a lot about getting your work out here. And why it is so important because you’re not only showing people that you’re consistently in the game, not a hobbyist but a serious contender, […]

10 STEPS TO SURVIVING A BAD REVIEW

  Whether it comes in the form of feedback from a reader, a blog post, or formal newspaper review, harsh words sting. Devastate. Create self-doubt. No less than Teresa Rebeck has talked about how difficult it was for her to recover from a bad review. But in a subjective, collaborative, artistic world, they are going […]

#PLONY INTERVIEW #12: LARISSA FASTHORSE, LOS ANGELES, CALIFORNIA

  I’ve never met Larissa FastHorse in person, but, somehow, as these things go, we became Facebook friends a few years back. I loved her posts, which were often about the ups and downs of this life, the insecurities and the successes. But one day, she commented on a mutual friend’s thread about how much […]

ARTISTS HELPING ARTISTS (#AHAinTheater) ADAM AND AURIN TALK MARKETING—PART 2

  Playwrights active online know the names Adam Szymkowicz and Aurin Squire. Not only are they both prolific, productive, and produced playwrights, they’re also the kind who give back. Adam writes the popular I Interview Playwrights blog, and Aurin contributes a monthly Get What You Want list of opportunities on his long-running Six Perfections blog. […]

ARTISTS HELPING ARTISTS (#AHAinTheater): ADAM AND AURIN TALK MARKETING—PART I

  Playwrights active online know the names Adam Szymkowicz and Aurin Squire. Not only are they both prolific, productive, and produced playwrights, they’re also the kind who give back. Adam writes the popular I Interview Playwrights blog, and Aurin contributes a monthly Get What You Want list of opportunities on his long-running Six Perfections blog. […]

YOU KNOW YOU’RE A PLAYWRIGHT IF YOU…

  *Obsessively check your email, because that’s where all the good news comes from.   *Know what the fee debate is.   *Have paid one. At least once. (Maybe in secret.)   *Have moments where you know nobody is being honest with you. (Or are at least paranoid that they aren’t.)   *Feel euphoria for […]

#PLONY PROFILE #11: KAREN ZACARIAS, WASHINGTON DC

  What is a/are #PLONY? Find out here, and also read an explanation as to why I’m writing a series of #PLONY Profiles.   From the time I started the #PLONY (Playwrights Living Outside New York) series, I wanted to interview Karen Zacarias. Not surprisingly, her busy schedule—which includes not just continual productions across the […]

VOTE: Dramatists Guild introduces #PLONY representation on Council

  Playwright friends who are members of The Dramatists Guild, this week–if you haven’t already–you’ll be receiving a ballot for this year’s Guild Council Elections. Currently, out of 65 Council members, all but two live in NYC, but that’s about to change. On this year’s ballot, for the first time, five seats on the Council will […]

Does the first line of your play make an impression?

  Plenty of plays start with “Hello?” and go on to be good plays; I’m not disputing that. What I am disputing is why any playwright, when there is an opportunity to deliver an opening line that creates the world of a play, that establishes something, would choose not to take it.   You don’t have to […]